Mysticism, the practice of religious ecstasies (religious experiences during alternate states of consciousness), together with whatever ideologies, ethics, rites, myths, legends, and magic may be related to them.
In this section of the forum, there are the best films of all times and peoples about Mysticism. I wish you a pleasant viewing.

Gaslight. (1944)

George Cukor's remake of the 1940 film Gaslight is the story of a beautiful, innocent woman (Ingrid Bergman) who marries a charming man (Charles Boyer) who tries to drive her insane. Boasting a lavish, detailed production that perfectly recreates the Victorian era, Gaslight is one of the greatest psychological thrillers ever made, thanks to Bergman's stellar, Oscar-winning performance. Gaslight was later shown in a computer-colorized print.

Marnie. (1964)

One year after she appeared as Melanie Daniels in Alfred Hitchcock's thriller, The Birds, actress Tippi Hedren took on another Hitchcock role in this unusual psychological drama. Marnie Edgars (Hedren) is a scheming young woman who repeatedly finds employment as a secretary and then proceeds to rob her employers. Though she changes her disguise, her new boss Mark Rutland (Sean Connery), a business associate of one victim, recognizes her. Mark proves to be a bit unusual himself and, instead of reporting her to the police, is intrigued by her criminal behavior--as well as her bizarre aversion to touch. Mark slowly uncovers the events in Marnie's past that have caused her antisocial behavior. Taken from Winston Graham's best-selling novel, Jay Presson Allen adapted Marnie to the screen. Allen would go on to create many more unusual female protagonists for the screen and stage.

Rosemary's Baby. (1968)

In Roman Polanski's first American film, adapted from Ira Levin's horror bestseller, a young wife comes to believe that her offspring is not of this world. Waifish Rosemary Woodhouse (Mia Farrow) and her struggling actor husband, Guy (John Cassavetes), move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbors Roman and Minnie Castevet (Sidney Blackmer and Ruth Gordon) soon come nosing around to welcome the Woodhouses to the building; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps...

Angel Heart. (1987)

The time is the 1950s: seedy Brooklyn private eye Harry Angel (Mickey Rourke) is hired by shady Louis Cyphre (Robert De Niro) to locate a pop singer who reneged on a debt. Harry ventures into Harlem, the first step of a Heart of Darkness-inspired odyssey. Each time Harry makes contact with someone who might know the singer's whereabouts, he or she is killed in a horrible, ritualistic fashion; a Satanic cult seems to be at the bottom of all the carnage. Harry solves the mystery, all right. He just didn't know that he had the answer all along -- even before Louis entered his office. Also available in the "unrated" video version, Angel Heart is best known as the film that nearly got an X-rating due to a no-holds-barred sex scene involving Mickey Rourke and Lisa Bonet.

Spellbound. (1945)

A psychiatrist protects the identity of an amnesia patient accused of murder while attempting to recover his memory.

The Tenant. (1976)

Director Roman Polanski casts himself in the lead of the psychological thriller The Tenant. Trelkovsky (Polanski) rents an apartment in a spooky old residential building, where his neighbors -- mostly old recluses -- eye him with suspicious contempt. Upon discovering that the apartment's previous tenant, a beautiful young woman, jumped from the window in a suicide attempt, Trelkovsky begins obsessing over the dead woman. Growing increasingly paranoid, Trelkovsky convinces himself that his neighbors plan to kill him. He even comes to the conclusion that Stella (Isabel Adjani), the woman he has fallen in love with, is in on the "plot." Ultimately, Polanski assumes the identity of the suicide victim -- and inherits her self-destructive urges. Some critics found the movie tedious and overdone; others compared it to Polanski's early breakthrough, Repulsion. The film was based on Le Locataire Chimerique, a novel by Roland Topor.