Interfaith, in its most basic sense, is when people or groups from different religious/spiritual worldviews and traditions come together. "Inter-religious" is also used, since "interfaith" can connotates exclusively Abrahamic traditions. Did you know interfaith cooperation also can include atheists and agnostics, and people of no faith? Interfaith cooperation is the conscious bringing together of people from diverse religious, spiritual, and ethical beliefs.
In this section, you can watch the best interfaith films. I wish you a pleasant watching.

Solomon and Gaenor. (1999)

In Wales in 1911, it was simply not realistic for a Welsh girl and a Jewish boy to think they could find a happy ending to their love story, unless they were prepared to leave their families and journey elsewhere--to London, say. But since this course is open to them, it is a little difficult to have our hearts broken by the tragedy of "Solomon & Gaenor," the story of a boy and girl who, essentially, want to have sex more than they want to pay the consequences.

Hand in Hand. (1960)

Director Philip Leacock, praised for his handling of child actors, does another excellent job with the two young stars in this story about religious tolerance -- and intolerance. Loretta Parry is Rachel, a seven-year-old Jewish girl whose best friend and playmate Michael (Philip Needs) is exactly the same age. Michael has been raised in an Irish Catholic family, but neither child thinks very much about their religious differences. At least, not until certain biases begin to make their presence known. But Rachel and Michael's friendship is so strong that even when they visit each other's place of worship and are wholly intimidated by the strangeness of it all, they still remain best buddies. Interwoven with threads of wisdom that might be a little forced at times, this family-oriented drama is also enlivened by comic moments and good acting and directing that keep the story from slipping into saccharine clichés.

Every Time We Say Goodbye. (1986)

In this humanistic love story, the setting is 1942, and pilot David (Tom Hanks) is on medical leave in Jerusalem when he meets an attractive woman. Sarah (Cristina Marsillach) is at her best friend's wedding (she is marrying David's squadron leader) when she meets David for the first time. She is a Sephardic Jew from a traditional family, and he is the son of a Protestant preacher; it's not an ideal combination from her family's point of view. At first their cultural differences are comical, as David tries to make his way through a family dinner, but once the family knows that he is more than just a friend of Sarah's, everything changes. They are almost literally pulled apart when Sarah's brothers come to drag her away from David's apartment in order to confront her family, who are in deep agony over her behavior. Given that David has to jet back to the war, their future seems precarious at the very least.

Keeping the Faith. (2000)

Actor Edward Norton debuts as a director with this comedy-drama about love, friendship, and faith. Priest Brian Finn (Norton) and rabbi Jacob Schram (Ben Stiller) have known each other since childhood. When Anna Reilly (Jenna Elfman), whom they both knew as children, returns to New York, both men find themselves infatuated with her, sparking both rivalry and personal dilemmas: Brian has taken a vow of celibacy, and Jacob is allowed to marry only within his faith. Award-winning director Milos Forman appears in the supporting cast, alongside Anne Bancroft, Ron Rifkin, and Eli Wallach; the screenplay marks the debut of writer Stuart Blumberg, whom Norton met when they were both undergraduates at Yale.

David & Layla. (2005)

This warm and breezy romantic comedy from director Jay Jonroy explores an interracial romance between the unlikeliest of partners: a Muslim refugee and a New York Jew. David Fine (David Moscow), the host of a Big Apple man-on-the-street TV show called "Sex and Happiness," never expected to meet and fall in love with a Middle Eastern immigrant - particularly given his marital engagement to a Jewish partner, Abby (Callie Thorne). But his path soon intersects with that of Layla, a young woman orphaned when Saddam Hussein's troops gassed the rest of her family. She now lives with relatives in Manhattan, and (unbeknownst to the kinfolk, who believe she's a nursing student) supports herself by collecting under the table for a slightly suggestive dance act - the warm-up for a local belly dancer. With deportation looming, Layla looks for an out; a customs official suggests a marriage of convenience, but that soon becomes unnecessary when Layla meets David and deep, abiding love blooms. . . to the horror of both families.

The Heartbreak Kid. (1972)

While on his honeymoon, a new husband finds himself attracted to a wealthy, gorgeous woman he meets along the way and begins to have second thoughts about his marriage. This well-performed, sharply written comedy follows the husband's often selfish attempts to find happiness and love.